Search restaurants, clubs, and events
Click the date to load more staff picks
Billed as the “raunchiest, cheapest event of Fiesta,” Cornyation spoofs current events, local politics and pop culture and this year welcomes guests into The Court of Festive Fêtes and Frivolous Faux Pas, to be ruled by King and Queen Anchovy Steve and Jody Newman. “Not just a bunch of queens,” Fiesta Cornyation is a permanently committed nonprofit dedicated to enriching the lives of San Antonians with HIV or affected by HIV. To date, the organization has donated more than $1.5 million to local charities, including SAAF (San Antonio AIDS Foundation), Beat AIDS (Black Effort Against the Threat of AIDS) and HAC (Help, Action, Care).
Dead the Poets, a collaboration between San Anto natives Kizer and Law, is throwing a positively ill party to celebrate the release of its second album, Korean Mardi Gras. The album itself, which is already available in more or less finished form at kizersoze.bandcamp.com, excels on the strength of Kizer’s sultry yet bangin’ production (which features tons of delightfully brassy samples) and the rappers’ wittily profane flows. But the expansive 21-track behemoth of an album has something for all types of hip-hop lovers—from sassy social commentary to inventive if cringe-worthy similes, from sunny day jaunts to thumping club tracks. Like the album, the show in its honor features some of our best local hip-hop talent, including Chisme’s REL, MAD-ONE and Current-lauded emcee Mr. Composition, among many others. But that’s not all. This unique party will also feature a producer showcase, burlesque dancers and live painting.
> Find more events
“We Just Live in It” is the inevitable subtitle of William Shatner’s one-man show, which debuted on Broadway in 2012, and of all the solipsists to stake that claim, the one true Captain Kirk probably has the most shut-ins calling him god. If that’s you, dust off the doughnut pillow to watch and enjoy the filmed version, screened for a single night in theaters, regardless of how many times you saw it live on tour. Cheek-licking fans of Shatner’s “Rocket Man,” will hoot at the 83-year-old fitted with a flesh-tone wireless mic for the stereotypical black-box solo-show, but fans of both Shatner and good storytelling hoping for the sort of insight evident on Has Been (his pretty great collaboration with Ben Folds) might take encouragement from this: We haven’t seen Shatner’s World, but we did see Shatner last year, outside a Laurie Anderson show.
If you know one Cage the Elephant track, it’s probably “Ain't No Rest for the Wicked.” To refresh, it’s the one that sounds suspiciously like a re-write of Beck’s “Loser,” only with a more dangerously catchy chorus. If the rest of the Kentucky band’s catalog didn’t bear the Beck resemblance in sound, it certainly did in style. The quartet’s few albums gleefully sported a “why the fuck not?” spirit, jumping from Cheap Trick’s power-pop, the Arctic Monkeys’ dance-floor alt-rock and Red Hot Chili Peppers’ blue-eyed funk, with no look given to the rearview. Cage the Elephant has settled a bit since those early records, with 2013’s Melophobia leaning in a more streamlined indie-rock direction. However, this approach has yet to dim the group’s electric live show, powered primarily by energetic frontman Matt Shultz. With Cleveland roots-rock combo J Roddy Walston & the Business in the opening slot, expect no rest for the wicked or otherwise.
Kevin Prince, aka Mr. Composition, is one of the hardest workers in SA music. The 23-year-old has released at least one LP or mixtape every year since he was 18 (much of this material is available at mrcomposition.bandcamp.com). Last year’s release, Running Red Lights Through Life, was one of my favorite local albums of 2013. It laid bare the rapper’s growth from a curious and earnest wordsmith to a master of his craft, gifted at melding personal narrative with commentary on universal concerns. Graffiti the Mind, out on May 2, sees the emcee truly coming into his own. Produced by San Anto native Ruler Why, Graffiti the Mind features beats that enhance the meaning of individual songs. Prince rhymes with entertaining, engaging lyrics, delivered with a unique flare in diverse styles. As Prince told the Current, he has long used rap as “a means of expressing [himself] and [his] experiences and frustrations.” As Prince has grown as an artist, he’s expanded his scope, concerned now with broader societal issues. Most impressively, these aren’t just raps; these are songs. Graffiti, anchored by the anthemic posse cut “Believe” and thought-provoking extended metaphor “Graffiti Lenz,” is a joy to bump and communicates an unstoppably positive message: Be patient, work your ass off, ask questions and give of yourself if you want to receive anything in return. Don’t miss the chance to see Graffiti done live at Fitzgerald’s on April 25
Depending on your age, watching early umlaut adopter Blue Öyster Cult perform in a parking lot is your chance to either: (a) star in your own Dazed and Confused deleted scene; (b) watch a pretty convincing re-enactment of the night you were conceived; or (c) relapse into biker drugs. At $10 (in advance), that’s a bargain in any case. That BÖC’s best known for “(Don’t Fear) The Reaper” when the group also recorded a song with the chorus “Joan Crawford has risen from the grave,” is a pretty good indicator of what’s wrong with this country. Of the hits, “Godzilla” is maybe the most representative of the band’s sci-fi-obsessed glam metal, but collaborations with Michael Moorcock (“Black Blade”) and Patti Smith (“The Revenge of Vera Gemini”) are better examples of its actual awesomeness—a band as good as your weird uncle thinks KISS is. With Year of The Snake, Evil Reign, S.A. Territories and The Selfish Machines.
Small world Jazz is comprised of San Antonio's hardest working Jazz Players. The Areas most knowledgeable and successful Jazz musicians show up to hone their skills and throw down with their pals. Come join the players or simply enjoy the versatility of this organic group.
First friday of the month a guided tour through the SA Botanical Garden's Watersaver Gardens. For more information visit: www.SABOT.org
A gritty new addition to SA’s evolving River Walk scene, the former Ruta Maya is back from the dead with a hardcore case of the punks. Other than a comfy white couch here and there, there are no coffeehouse remnants. High-octane live music attracts a mixed alternative crowd on certain nights, but it was a DJ spinning vintage New Order that made us want to know more. For a true taste of the SA underground, hang downstairs, where we were (accidentally) stomped on by a boot-clad mosher.
Live music venue with possibly the best acoustics in town and an impressive beer menu and nightly drink specials. Best use: Anytime live music is onstage; typically no cover during the week, while weekend covers stay under $10.
Justly famous for its fish tacos, the Cove is also a good location for locavores and vegetarians thanks to owner Lisa Asvestas’s commitment to sustainable food sources (she can tell you where to find raw milk, too). Beer and wine tastings, plus live music and the adjacent laundromat make it a one-stop lifestyle shop without the Austin attitude.
San Antonio, TX 78215
All parts of this site Copyright ©2011 San Antonio Current.
NEWS & POLITICS
Add an Event
ARTS & CULTURE
Opera & Classical
Sound & The Fury
2010 Rammy Winners
2009 Rammy Winners
SCREENS & TECH
FOOD & DRINK
¡Ask a Mexican!
Free WIll Astrology
SERVICES & PROFESSIONALS
SEARCH FOR JOBS
SA CURRENT STUFF
Link to Us
MEET THE PRESS
ADVERTISE WITH US
CALENDAR SUBMISSION GUIDELINES
JOBS AND INTERNSHIPS
WHERE TO FIND US
Have a Facebook account? Login using your Facebook account to share your activities with friends.